This track from the movie is all I have listened to so far and have been hooked to it since morning.
Experiencing that blissful high which only Rahman’s music gives!
This track from the movie is all I have listened to so far and have been hooked to it since morning.
Experiencing that blissful high which only Rahman’s music gives!
Check Sanjay’s blog. Can’t wait for December!
From just a single female voice singing ‘poovukenna pooTTu kaaRRukkenna’ with a very soft background music, the percussion slowly starts joining in and the song slows starts picking its pace.
Even as you sit back and enjoy the song and join in singing ‘gulla gulla halla gulla’, you never expect it to change track and launch into those inspiring words sung with an equally inspiring musical arrangements
kaaNat thane kaNgaL kaNNeer sindha illai
maegangaL maNvizhundhu kaayangaL aanadhillai
vaazhatthaane vaazhkkai veezhvadharkku illa
The beautiful flute making an appearance now and then with lovely interludes too, Rahman’s power-packed singing, the unexpected baby’s crying, the climatic finish starting off with the singing by a whole lot of singers, continuing with flute and ending on a high with just an awesome percussion makes every moment of this song have happiness, celebration and vibrancy written all over it.
paaDa thaane nenjam mounam enna enna
aasaikku rakkai kaTTi paTTam viTTu aaDa viDu
vellat thane veeram kolvadharkku illai
kaiyODu kai sertthu vaanatthai thoTTu viDu
The colorful picturization of the ending of the song captures the mood of the song so perfectly!

This is THE song to turn to for celebrating life for sure!
Yippee! I am so happy! 🙂 It has been a long, long time. The last one I went to was his Warren Road Pillayar Kovil kutcheri. I missed the one for Devan’s Centenary celebration simply because I was not aware that the kutcheri was going to be in the morning and I checked the day’s newspapers only after the concert was almost over! How I wish Sanjay regularly updates his blog with his schedule!
The varnam sung by TMK in Charsur’s Anandabhairavi album is among my top favourite renditions by him. A lesser traffic on the roads at 6 am and this varnam playing on the loop in the car simply induced and doubled my joy/anandam-quotient. A great start to the morning!
Rang De Basanti, traffic-free roads at 6 30 in the morning, empty cubicles and perfect work atmosphere, Pacchai Nirame, a blog post after ages – what more can I ask for? Good Morning, folks!
Listening to Pacchai Nirame on a loop, after a long, long time, I realize yet again that
I had totally forgotten all about this song and suddenly remembered it yesterday when listening to Sanjay’s Bhageshri RTP.
Aaromale – Bhageshri, Shreya Ghoshal’s voice, the soothing instrumental background – takes my memories back in time. Back when it offered solace in times of gloom. Back when it simply pulled me into it totally that in those moments when I was listening to this song, it was just music and me and everything else was forgotten. Back when I discovered yet another facet of the raaga Bhageshri. Back when this was the only song that I kept listening to for hours together. Back when there were less confusions in life. Back when every moment of Bhageshri, Shreya’s voice and the soft instruments vying with each other to create an aura so beautiful seemed to effuse an eternal musical bliss and calmness.
Today when I listen to it after several months or maybe even a year, this beautiful Bhageshri piece sounds only more beautiful. More soulful. More soothing. Its effect on me still remains the same, though I am happy to say that there is no gloom around me now.
I wonder how I had even forgotten it all these days!
What a boring song with lines like kanji aari pochu which, by the way, sounds as though it is being recited and not sung and what is it with that sad, melancholic feel oozing out of this song making you too to feel dull? That was the feeling that remained even after a few days of listening to this song.
And then it finally happened today – suddenly the words sung as though in a soft whisper with full of longing and the soft, caressing, minimal music in the background seemed to seamlessly blend together to create a magic, a soothing, melancholic magic sans the feeling of gloominess. And not to forget that interlude with that lovely humming which suddenly has words and humming and chords coming together with the humming and the chords forming a nice backdrop for that non-dramatic-climatic high-pitched enga pona raasa which undergoes beautiful transitions to come back to the initial slow enga pona raasa.
I am now so fully drawn into this song that I just can’t stop listening to it!
The catchy tune appealed to me right in the first listening and it was the only song from Kadal that I was initially listening to. One fine day, it so happened that I listened to it in the presence of Sahana and guess what she did, she started dancing to the tune! From then on, there were several days when you would find the mother and the daughter happily listening to this song on a loop with one, all smiles seeing her daughter enjoying herself and secretly harbouring the hope that she too might become a Rahmaniac 😉 and the other, happily smiling and dancing away, innocence and beauty personified.