Last year, I happened to stay in Mysore for some months. During my stay there, on a Sunday I had gone to Bangalore with my friends. There were four of us, three girls and a guy (poor fellow). We reached B’lore at around 10 o’clock in the morning. We had taken the Volvo bus from Mysore. These KSRTC Volvo buses are so comfortable. You don’t feel the strain of traveling by bus. Wish there were Volvo buses in TN too.
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I listened to ‘Bliss Factor’ from Guitar Prasanna’s album ‘Be the Change’ for the first time only day before yesterday. I liked it in the first listening itself. But, yesterday when I listened to it again, I became totally crazy about it and listened to it continuously for about 15 times! I love Shalini’s singing in this one especially when she sings the swarams ‘R R G M P M…’. I just can’t stop myself from listening to it! Even before starting from home today morning, I listened to it for some 4 times. Those who have not listened to it, please do.
I went to Sanjay’s concert today at Anjaneya Temple, Alamelumangapuram. Sanjay was accompanied by Varadarajan on the violin and Arun Prakash on the Mridangam. Look at the combination. Do I need to even say how the concert was! Here’s the list of songs:
1. Ninnu joochi – Sowrashtram
2. Bala Kanakamaya – Atana
3. Tolijanma – Bilahari
4. Raama neene – Narayani
5. Kaa Vaa Vaa – Varali
6. Maa Janaki
7. Bantu Reeti – Hamsanadam
8. Kori Sevimpa – Karaharapriya (Main piece)
9. Manadirkkugadadu – Sindhubhairavi
10. Maavalla Gadamma – Mand
11. Mangalam – Sowrashtram
T.M.Krishna’s concerts
I went to 9 concerts of T.M.Krishna in the past one and a half months. I initially thought if I should even write about some of them since it’s already very late and many of you must have read about these concerts. But I am finding time to write it only now (Am not that busy and all but blame it on my laziness). Anyway, this is going to be a long post. Read it if you have the patience.
In TMK’s website, in his profile it is written, “His renditions of vilamba kalam (slow tempo) compositions are soaked with bhakthi (devotion) and bhava (emotion) are a treat to every listener.” In almost all the concerts he proved it. I just love it whenever he sings a slow song with bhava.
On 16th December, at Asthika Samajam, TMK started the concert 15 minutes late since it took him a long time to tune the Tamburas. Many got impatient. In fact a person sitting behind me said loudly, ‘Paadu pa’ (Not sure if TMK heard it). But, when he started singing, the audience was in for a treat. Starting off with Tanavaari Tanamuleda in Begada, he then sang Nagumomu in Abheri and Mokshamu Galada in Saramathi for nearly 40 minutes each with Maakelara in Ravichandrika raaga in between the two songs. I am sure not even a single person would be there who wasn’t moved by TMK’s singing on that day. Well, I got so moved by the concert that I couldn’t stop myself from going to his concert the very next day even though I wanted to go to Sanjay’s concert. The next concert was at Bharat Kalachar. There he sang Janakipate in Karaharapriya as the main piece. In this concert, the ones that I loved were the Mukhari and Karaharapriya alapana, Swarams in Manavyala in Nalinakanti raaga and Tillana in Poornachandrika.
The next concert that I went to was at Music Academy. After reading the review of this concert at Hindu, I actually feel happy that I don’t have in depth knowledge of Carnatic Music. It was written that he didn’t sing Todi alapana in the usual way it is sung and also he sang Anandeshwara in Ananda Bhairavi a bit too slow and there was an exodus of audience after he started singing both these. But, I thoroughly enjoyed both. But more than these two, I liked the RTP in Saraswathi, Brocheva in Khamas and Adineepai in Yamun Kalyani even more.
At Dakshinamoorthy Auditorium on the 29th December, TMK sang O Rangasayee in Kambhoji as the main piece. It was superb. But the highlight of this concert was Enna Thavam in Kapi that he sang in a very slow pace soaked with Bhava. This one is the best rendition of Enna Thavam that I have heard.
The next one happens to be the last concert that I went to in 2006 on the 31st at Jaigopal Garodia School (Rasika Fine Arts). It was just a 2-hour concert. There was a very good selection of songs in this concert: Ekkalatthilum in Nattakurunji, Padavini in Karaharapriya, Nannupalimpa in Mohanam (the main piece), Vishweshwar Darshan in Sindhu Bhairavi, Karapooram Naarumo in Khamas and Sri Ramachandra in Yamun Kalyani.
The first concert of TMK that I went to in 2007 was on 5th January at Vidya Bharati (Sri Bhairavi Gana Sabha). In this concert too another superb Mukhari alapana followed by the Tyagaraja krithi Ksheenamai with neraval and swarams at the line Etijesina Jagannathudu Shriramuna. The raaga chosen for elaboration in this concert was my favourite Sahana! The song was the Tyagaraja kriti, Giripai. M.A.Sundaresan played the violin for this concert. Sometimes, it was difficult to say whether it was Sundaresan’s violin or TMK’s singing that was better! The surprise in this concert was the Kambhoji Raagam Taanam Pallavi. The Kambhoji raagam and taanam were awesome.
The last concert that I went to was on 6th January at Raaga Sudha Hall that was conducted by T.N.Krishnan Foundation. TMK started the concert with Deva Deva in Mayamalavagowlai and then sang Kripajoochutaku (Chayatarangini raga) and Sumasaayaka (Karnataka Kapi). He was about to start singing RaamachandreNa in Maanji when T.N.Krishnan asked him to sing the raga alapana. So after an alapana of Maanji, he sang the song. Here’s what I liked the most in this concert: Maanji and Surutti alapana, his rendition of the songs Kripajoochutaku, Ramachandrena and Sapashya in Jonpuri. The main song of the concert was Endukku Pedale in Sankarabharanam.
Today, I am going to the launch of the book, ‘Voices Within Carnatic Music’ written by T.M.Krishna and Bombay Jayashri with Mythili Chandrasekar. There is going to be a ‘unique music presentation’ by the two of them according to the ads. Let me see how it is.
A friend of mine was searching in Google for some articles that her nephew could submit to his school magazine. Guess in which class her nephew is studying in? LKG!! When I was in LKG, I don’t think I even knew about computers. It’s another fact that there was no Google at that time. But, jokes apart, aren’t all these done in schools so as to encourage the children to bring out their creativity? Besides, what is a kid in LKG going to submit to a magazine?
Sanjay Subrahmanyan this Season
I went to 7 concerts of Sanjay this season. Needless to say all his concerts were simply superb! His concert at Kalarasana on the 24th of December is the one that I enjoyed the most. To begin with, this one was a 3-hour 24-minute concert. Sanjay was accompanied by S.Varadarajan on the violin, C.S.Venkataraman on the mridangam and Neyveli B.Venkatesh on the khanjira. The Sri Ranjani, Jyothiswaroopini and Karaharapriya (Chakkani Raja was the main song) alapana were all amazing! I loved the neraval and swarams at the line ‘Chintateerchuda Kentamodira’ in the Tyagaraja krithi ‘Entavedukondu Raghava’ in Saraswathi Manohari raaga. RTP was in Lalita raagam (Pallavi – Seethamma Mayamma). He sang the pallavi in Ananda Bhairavi, Neeleambari and Huseni. That was awesome. Varadarajan on the violin was excellent as usual. The claps didnt stop for a long time after each alapana/song. The audience gave a standing ovation at the end of the concert!
Coming to Sanjay’s concert at Music Academy, the Mohanam alapana and the RTP in Brindavana Saranga were the ones that I loved. Incidentally, T.M.Krishna and Sangeetha Sivakumar had also come to this concert.
At Rasika Fine Arts’ concert, he sang Appan Avadaritta in Karaharapriya and Karikalaba in Saveri for nearly 40 minutes each with elaborate alapana of both the raagas. In between these two he sang a very beautiful song in Neelambari, KaaNa KaNNaayiram veNdum, that lasted for nearly 10 minutes.
The last concert of Sanjay that I attended was at Asthika Samajam on 11th January. The Nattakuruji alapana that he sang that day will remain etched in my memory for a long time to come. I don’t have words to describe the way he sang Gopalakrishna Bharati’s song Vazhi Maraitthirukkudhu in a slow tempo with a very beautiful neraval at the line Utru Paarkave. This is the first time I am hearing Sanjay singing each and every word of the song clearly. In contrast to Vazhi Maraitthirukudhu, he sang a very fast-paced Aadum Chidambaramo in Behag. For this concert too, Sanjay was accompanied by Varadarajan on the violin.
Now that the Season has come to an end, I don’t know when his next concert at Madras is on. Am eagerly waiting for the next one.
Anaivarukkum en iniya Pongal nalvazhtukkaL!
A brilliant movie by Mani Ratnam once again! Be it the performance of all the actors or the background score by A.R.Rahman or the cinematography or the picturisation of songs, everything is excellent in this movie!
What started off as a week filled with confusions is going to end as the best one! I had to take up an exam on Tuesday. Initially it wasn’t confirmed whether I was to write the exam on Tuesday or Wednesday. The whole of Monday got wasted with me mailing and meeting a lot of people trying to confirm the day of the exam. By the time it was confirmed that I had to take up the exam on Tuesday itself, it was Monday evening. After preparing ‘very hard’ for the exam, I went to the building where I was to take up the exam only to hear the security tell me that there was no examination room with the name I asked for, in that building! With less than half an hour left for the exam, I got tensed a little bit and finally managed to reach the room which was indeed in the same building(!) with help from a friend of mine. The confusions didn’t stop with this. As soon as I completed the exam, the mark I had scored got displayed on the screen. Since I didn’t know what the cut-off was for clearing the exam, I wasn’t sure whether I had cleared the exam or not! Everyone had their own say as to what the cut-off mark was! I finally found out that I had indeed cleared the exam! To ‘celebrate’ it and to take a break from all these confusions, I took a day off and it was total masti at home on Wednesday. 🙂
It’s back to confusion-free days now. I went to Sanjay’s concert yesterday evening. The Nattakurunji that he sang! Wow!
Now here’s what’s going to make this week the best one: I AM GOING TO WATCH GURU TODAY EVENING!!!!